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・ American Society of Agronomy
・ American Society of Anesthesia Technologists & Technicians
・ American Society of Anesthesiologists
・ American Society of Animal Science
・ American Society of Appraisers
・ American Society of Association Executives
・ American Society of Brewing Chemists
・ American Society of Business Publication Editors
・ American Society of Church History
・ American Society of Cinematographers
・ American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Theatrical Releases
・ American Society of Civil Engineers
・ American Society of Clinical Hypnosis
・ American Society of Clinical Oncology
・ American Society of Comparative Law
American Society of Composers, Authors and Publishers
・ American Society of Consultant Pharmacists
・ American Society of Criminology
・ American Society of Cytopathology
・ American Society of Dental Surgeons
・ American Society of Digital Forensics & eDiscovery
・ American Society of Echocardiography
・ American Society of Equity
・ American Society of Exercise Physiologists
・ American Society of Forensic Odontology
・ American Society of Gene Therapy
・ American Society of Genealogists
・ American Society of Golf Course Architects
・ American Society of Health Informatics Managers
・ American Society of Health-System Pharmacists


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American Society of Composers, Authors and Publishers : ウィキペディア英語版
American Society of Composers, Authors and Publishers

The American Society of Composers, Authors and Publishers (ASCAP ) is an American not-for-profit performance-rights organization (PRO) that protects its members' musical copyrights by monitoring public performances of their music, whether via a broadcast or live performance, and compensating them accordingly.
ASCAP collects licensing fees from users of music created by ASCAP members, then distributes them back to its members as royalties. In effect, the arrangement is the product of a compromise: when a song is played, the user does not have to pay the copyright holder directly, nor does the music creator have to bill a radio station for use of a song.
In 2012, ASCAP collected over US$941 million in licensing fees and distributed $828.7 million in royalties to its members, with an 11.6 percent operating expense ratio.〔(【引用サイトリンク】title=ASCAP 2012 Annual Report )〕 As of July 2013, ASCAP membership included over 460,000 songwriters, composers, and music publishers.
In the United States, ASCAP competes with two other PROs — Broadcast Music, Inc. (BMI) and the Society of European Stage Authors and Composers (SESAC).
==Non-exclusive==
Unlike collecting societies outside of the United States, ASCAP contract is non-exclusive, and although it is not so simple for a foreign person to join ASCAP, it is possible. ASCAP has an office in the United Kingdom. As the artist agreement is non-exclusive, authors can license using a Creative Commons license. Analyzing the ASCAP bill of rights, it states, "we have the right to choose when and where our creative works may be used for free". If an author is going to use a Creative Commons license with another's works, this is the only author's rights organisation that has a non-exclusive contract that a foreign person can join. If an author uses a Creative Commons license and is not a member of a performing rights organisation, and the works would generate royalties, these royalties are collected and given to publishers and artists that are members of these organisations.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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